SETH THOMAS ATOMIC CLOCK MOVIE
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As for Ken, he soon comes across something called the “patriarchy.” Once he returns home, the Malibu Dreamhouse is transformed into the Mojo Dojo Casa House and this newly converted Kencel imports some good old-fashioned toxic masculinity into Barbieland’s power structure. She also notices that the power structure is predominantly dudecentric, and many men would prefer to just keep women in a box - figuratively, but in the case of Mattel’s manic CEO (Will Ferrell), literally. Barbie discovers that a beautiful blonde rollerblading in a leotard attracts a certain type of male attention that’s a little too aggressive. Once the two are in our reality, they both have their eyes opened.

SETH THOMAS ATOMIC CLOCK MOVIE

Both movies ultimately answer the question: Who ruin the world? Men.īill Maher’s ‘Barbie’ Movie Review Is a Total Embarrassment Yet surprisingly, they also share one major thing in common. Both remind you that film is a medium with not depth but width, and each scratch a very different itch. Yet both are so smart and complex in their own ways, refusing to talk down to its audience and pander to the lowest common denominator. They’re so different in texture and tone, with each setting up camp on opposite sides of the artistic and aesthetic field.

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Happening! And having spent a full day taking both movies in, almost but not quite back-to-back, I can confirm that it’s a rich yet whiplash-inducing experience, going from the candy-colored kitsch & commentary combo of Barbie to the somber, near-apocalyptic sturm und drang of Oppenheimer. Good news! The writer-directors didn’t, and the movies aren’t, and as reviews began to go online earlier in the week, the pitch around Barbenheimer has become even louder and more fevered. Truly the woman who gave us “Lady Bird” McPherson and a take-no-prisoners Jo March would not deliver a mindless two-hour commercial for a divisive, physics-defying toy? Surely a great-man biopic from the guy behind Inception would not be generic Oscarbait. And both raised expectations that they’d be respectively subverting the categorical norm for each project. Both have earned the title of auteur in an age where the “ from the visionary mind of…” tag gets handed out like kindergarten participation trophies. Film bros may worship The Dark Knight director to a fault, but both cine-omnivores and people desperate for movies not aimed at 12-year-olds tend to love both Nolan and Gerwig for making smart, singular takes on familiar genres (heist thrillers, space-exploration dramas, literary adaptations, coming-of-age stories). And while the temptation was to do your best Seth Meyers’ version of “Really?!?”, it made a weird kind of sense once you took in the bigger picture.

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The idea of hardcore filmgoers turning the duo’s shared opening weekend into a full-on marathon experience, complete with a Brangelina-level name, began life in the usual manner: first as a joke, then as a series of memes, then endless think-piece fodder, and finally as a dead-serious cultural phenomenon. That the center of this cinematic Venn Diagram might be bigger than anyone thought hadn’t occurred to a single suit. Studio executives patted themselves on the backs and lit comically huge cigars. Neither would be directly competing against any superhero movies T om Cruise’s new Mission: Impossible film would have had its chance to dominate the box office and media cycles for two weeks by that point and given that the likelihood of one film stealing away the perceived core audience of the other was next to zero, people would have dual viewing choices that got them back into theaters either way. When it was announced that Oppenheimer, Christopher Nolan’s big-budget, bigger-canvas biopic about the man dubbed “the father of the atomic bomb” and Barbie, Greta Gerwig’s big-budget, bigger-ambitions movie about the doll dubbed “ Barbie,” would both be opening on July 21st, 2023, it looked like nothing more than a genius stroke of counterprogramming.

This weekend, legions of movie lovers will descend upon theaters, popcorn in hand and catheter in place, girding themselves for the single most unlikely double feature ever conceived by the internet.

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